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Mozart Piano Concerto No. 21 with Mao Fujita

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Mao Fujita headshot
Mao Fujita
Image credit: Dovile Sermokas
Mozart Piano Concerto No. 21 with Mao Fujita
Boston Symphony Orchestra Andris Nelsons, conductor Mao Fujita, piano Outi TARKIAINEN Day Night Day (American premiere; BSO co-commission) MOZART Piano Concerto No. 21 in C, K.467      intermission SIBELIUS Symphony No. 1

Andris Nelsons leads this program featuring Tokyo-born rising star Mao Fujita as soloist in Mozart’s popular Piano Concerto No. 21, which he composed in 1785. Finland’s greatest composer, Jean Sibelius, infused his own music with Finnish musical and cultural traditions, even in his apparently abstract symphonies. Finnish composer Outi Tarkiainen, a native of Lapland near the Arctic Circle, composes music influenced by the region’s distinctive landscape and culture. Her BSO co-commissioned Day Night Day employs two traditional Sámi melodies.

Boston Symphony Orchestra Andris Nelsons, conductor Mao Fujita, piano Outi TARKIAINEN Day Night Day (American premiere; BSO co-commission) MOZART Piano Concerto No. 21 in C, K.467      intermission SIBELIUS Symphony No. 1

Andris Nelsons leads this program featuring Tokyo-born rising star Mao Fujita as soloist in Mozart’s popular Piano Concerto No. 21, which he composed in 1785. Finland’s greatest composer, Jean Sibelius, infused his own music with Finnish musical and cultural traditions, even in his apparently abstract symphonies. Finnish composer Outi Tarkiainen, a native of Lapland near the Arctic Circle, composes music influenced by the region’s distinctive landscape and culture. Her BSO co-commissioned Day Night Day employs two traditional Sámi melodies.

Supported by

Thursday evening’s concert is generously supported by Janet and Irv Plotkin.

Supported by

Saturday evening’s concert is generously supported by The Westphal Family.
Saturday evening’s performance by Mao Fujita is generously supported by the Nathan R. Miller Family Guest Artist Fund.

Outi TARKIAINEN Day Night Day (American premiere; co-commissioned by the Boston Symphony Orchestra, Andris Nelsons, Music Director, through the generous support of the New Works Fund established by the Massachusetts Cultural Council, a state agency.)

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